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Snarkitecture

Couverture du livre « Snarkitecture » de  aux éditions Phaidon Press
Résumé:

Fast becoming one of the world's most sought- after studios, Snarkitecture has designed installations, architecture, products, and furniture for a diverse range of clients, including COS, Kith, Calvin Klein, the New Museum, Kartell, and Beats by Dre. This book presents more than 70 of their... Voir plus

Fast becoming one of the world's most sought- after studios, Snarkitecture has designed installations, architecture, products, and furniture for a diverse range of clients, including COS, Kith, Calvin Klein, the New Museum, Kartell, and Beats by Dre. This book presents more than 70 of their projects and investigates how its founders, artist Daniel Arsham and architect Alex Mustonen, work at the interface between their disciplines to come up with some of the most beguiling and fascinating designs seen in recent years.
- Alex Mustonen, partner and co-founder of Snarkitecture, is a graduate of the Irwin S. Chanin School of Architecture at The Cooper Union for the Advancement of Science and Art.
Daniel Arsham, partner and co-founder of Snarkitecture, is a graduate of The Cooper Union for the Advancement of Science and Art. In addition to his work with Snarkitecture, Arsham continues to practice as a visual artist, including collaborations and commissions in fine art, stage design, and film.
Key Selling Points - The first monograph on one of the most creative, daring, and original design studios on the planet, a collaborative team that pushes the boundaries between art and architecture - Clients include Design Miami, Design Within Reach, Kith, New Museum, Odin, Beats by Dre, Calvin Klein, Kartell, and COS - Collaborators have included modern-dance choreographer Merce Cunningham, Christian Dior fashion designer Hedi Slimane, and gallerist Emmanuel Perrotin - The cover design is taken from Snarkitecture's innovative wallpaper 'Topographies', for which pieces of paper were torn by hand, layered, and photographed to reveal a stepped topographical landscape. The cover features tactile finishes to suggest the torn edges of the paper

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