"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
The Dutch saying "a Jan Steen household" originated in the seventeenth century and has come to refer to a home in disarray, full of rowdy children and boisterous family gatherings. The paintings of Steen, along with those of other Dutch and Flemish genre painters, are the direct inspiration behind the layered domestic scenes of Julie Blackmon's photographic work. Raised as the oldest of nine children, and the mother of three herself, Blackmon takes an approach to her work that is at once autobiographical and fictional. According to Anne Wilkes Tucker of The Museum of Fine Arts Houston, Blackmon has "taken a subject that is ripe for cliche--mother photographing children--and through the subtle, digital manipulations, the use of color and highly graphic images, she's given it humor and edge and taken the subject somewhere fresh."
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
Participez et tentez votre chance pour gagner des livres !