Taïna, indienne des Caraïbes, a été instruite dès son enfance pour devenir chamane, mais Christophe Colomb et les Espagnols arrivent...
Géraldine Chouard & Danièle Pitavy-Souques, Preface.
Géraldine Chouard, Welty's Photography or the Retina of Time.
Hunter Cole, On the Publishing of Photographs.
Stuart Kidd, Familiar and Foreign Bodies in Photographs of the South during the 1930s.
Jean Kempf, Eudora Welty Photographer. The Photograph as Revelation.
Michael Kreyling, Eudora Welty: Portraits of the Author and the Character of the Text.
Géraldine Chouard (mod.), Round Table on Photography.
Aurélie Guillain, Pantomimes: Body Language in Five Narratives by Eudora Welty.
Jean-Marc Victor, "The wrinkles in her skin shone like a bright net": The Promises of a Face in Eudora Welty's Fiction.
Peggy Whitman Prenshaw, Fevered Desire and Therapeutic Gaze in Welty's World.
Barbara Ladd, The Place of (Woman's) Body/the Body of (Woman's) Place in The Golden Apples.
Suzan Harrison, Black Bodies and Modernist Desire in Eudora Welty's Fiction.
Tom McHaney, The Saturday Night Function Beats the Sunday Morning Service: Welty's "Powerhouse".
Noel Polk, The Ponderable Heart.
Sharon Baris, 'Across his chest, over his hips': Hands-on Means and Meanings in "Death of a Traveling Salesman".
Michiko Yoshida, Welty's Touches: the Functions of Hands and the Drama of Transformation in "Moon Lake" and "Music from Spain".
Pearl McHaney, Containment, Flux and Flexibilty in Delta Wedding: Dabney Fairchild's Gravidity.
André Bleikasten, Homespun Horrors: "The Burning".
Susan Donaldson, Embodying and Transforming Memory in Eudora Welty's Later Work.
Donald Kartiganer, Body and Myth, Semiotic and Symbolic: The Space Between.
Marie-Christine Lemardeley-Cunci, Bruissements de silence dans "The Key".
Danièle Pitavy-Souques, Of human, animal and celestal Bodies in Welty's "Circe".
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Taïna, indienne des Caraïbes, a été instruite dès son enfance pour devenir chamane, mais Christophe Colomb et les Espagnols arrivent...
Une belle adaptation, réalisée par un duo espagnol, d'un des romans fondateurs de la science-fiction, accessible dès 12 ans.
Merci à toutes et à tous pour cette aventure collective
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