Maison de la Chine : A building by atelier FCJZ

• Date de parution : 15/11/2024
• Editeur : Park Books
• EAN : 9783038603641
• Série : (-)
• Support : Papier

• Nombre de pages : 120
• Collection : (-)
• Genre : Enseignement universitaire
• Thème : Universitaire, ouvrages de références, Essais, Livres en langue étrangère
• Prix littéraire(s) : (-)

First book on the new Maison de la Chine, the latest addition to the famous Cité Internationale Universitaire de Paris (CIUP), opened in 2023
Documents the building and its design and construction process through sketches, drawings, plans, and photographs
With essays by distinguished... Voir plus

First book on the new Maison de la Chine, the latest addition to the famous Cité Internationale Universitaire de Paris (CIUP), opened in 2023
Documents the building and its design and construction process through sketches, drawings, plans, and photographs
With essays by distinguished curators and critics Martino Stierli and Ariel Genadt
The Maison de la Chine is the first European building designed by the leading Chinese firm Atelier FCJZ

In 2023, the new Maison de la Chine was opened as part of the Cité Internationale Universitaire de Paris (CIUP), the French capital's famous campus of student residencies founded in 1925. Designed by Beijing-based Atelier Feichang Jianzhu (Atelier FCJZ) and realised in collaboration with the French architecture firm Coldefy, the building continues the tradition of national pavilions within the CIUP. The Maison de la Chine's design bears the DNA of traditional Chinese architecture, yet Atelier FCJZ also clearly acknowledges its inspiration from Le Corbusier.

This book documents the building and its design process in rich detail through sketches, drawings, plans, and photographs. Architectural historian and curator Martino Stierli places the Maison de la Chine in the context of the evolution of contemporary Chinese architecture. Yung Ho Chang and Yishi Cheng, respectively the founding partner of and project architect at Atelier FCJZ, discuss conceptual and technical aspects of the design. The volume is completed by American critic Ariel Genadt, whose essay relates the building to the site's extraordinary history and the culture within which it was created.